Antisemitic ‘Art’ Display in London Cancelled

A series of antisemitic simian daubs by one Matthew Collings, who calls himself an artist, was to go on display at a gallery in London but, fortunately, has been cancelled. More on his nursery-school “art” can be found here: “London venue cancels ‘grotesque’ antisemitic art exhibition following UKLFI complaint,” by Mathilda Heller, Jerusalem Post, April 26, 2026:

A controversial art exhibition set to open in south-west London has been cancelled after complaints by UK Lawyers for Israel (UKLFI) about alleged antisemitic content.

The exhibition, Drawings Against Genocide by British artist Matthew Collings, had been scheduled to take place at Delta House Gallery in Wandsworth between 16 and 24 May 2026.

The exhibition already caused a furore last month during its showing at a gallery in Margate, Kent, as covered by The Jerusalem Post at the time.

The drawings in the collection are graphic. One depicts the owner of Sotheby’s, French-Israeli businessman Patrick Drahi, eating babies alive. Multiple depict Jews as devils with horns or standing on skulls with messages like “we love death.”

It’s not Jews, but Muslims who keep telling the world, in a macabre boast, that “we love death as you [non-Muslims] love life.”

There are also several [drawings by Collings] that deny Hamas committed rape or sexual violence in its October 7 attacks. One says “no evidence that sexual violence was used as a weapon on October 7,” and “no beheaded babies, no evidence of rapes.”

“No evidence” of sexual violence? What about the corpses of girls who had their vaginas cut into with knives, with the sperm of their rapists still in them? What about the women with their breast sliced off after the rape (that telltale semen) they endured? What about the videos that the Hamas rapists themselves took, so pleased and proud were they to have a record of what they had done, to share with family and friends back in Gaza? And what about the UN commission, headed by Special Envoy for Sexual Violence Pramila Patten, sent to investigate the charge of rapes by Hamas, that concluded there are “reasonable grounds to believe” sexual violence, including rape and gang rape, occurred during the Hamas-led attack on Israel on October 7? And finally, what about the eyewitness testimony of Israelis who, hiding in their “safe rooms,” managed to open their doors a crack and saw the rapes taking place?

Collings also writes that rape claims were used by Israel to “justify treating a whole people like animals.”

What “treatment” is that? Does he think the IDF’s massive campaign to warn Gazans — with millions of leaflets, millions of text messages, and millions of robocalls — away from sites about to be targeted is “treating a whole people like animals”? Does he think that the IDF arranging for the transfer of some Gazan children to Jordan and the UAE for medical care is “treating [them] like animals? Does he think treating thousands of Gazans in Israeli hospitals before the October 7, 2023 attacks constitutes “treating them like animals”? Does he know about the field hospital Israel has set up specially to provide medical treatment to detainees in Gaza? Does he think that when the IDF has sent into Gaza 184,500 tons of food, 25,420 tons of water, and 18,400 tons of medical supplies it was “treating Gazans like animals”?

Well, words will not suffice to prove that Michael Collings is not an artist but an infantile dauber, and a deep-dyed antisemite withal. An image of his work is needed. So let me supply the ocular proof here.

Take a good look at his drawing. The central figure is French-Israeli owner of Sotheby’s Patrick Drahi. He’s the one eating a baby and having the baby’s blood running out of his mouth. That’s just what Jews do: they kill. babies and children..They’ve been doing it since Little Saint Hugh of Lincoln was killed by Jews in 1255 so his blood could be used to make Passover matzos. Thank god Matthew Collings has taken upon himself the task of reminding us about Jewish ritual killing. And in such a subtle fashion.